Featured Post

Featured Post - Mystery Movie Marathon

I thought I'd kick the new year off with another movie marathon. I thought it was time to check out a few old school mystery flicks. Som...

Friday, May 28, 2021

Macabre (1958)

I’m a huge William Castle fan. The man made some of my favorite horror movies of the fifties and sixties. Sure, they are cheesy, but that is part of the fun. In all the years that I’ve been watching and enjoying his movies I’ve never seen Macabre. This is his first foray into what would become his signature gimmicky independent movies so it was about time for me to correct this omission.

The movie opens with the sheriff, played by Jim “Thurston Howell” Backus, talking to the local undertaker. He is complaining that a child’s coffin was stolen from his showroom. While this is going on the town doctor, Rodney, pulls up across the street. There is bad blood between the sheriff and the doctor. They were both in love with the same woman, but she chose the doctor, and died while giving birth to their first child. The sheriff as well as many of the locals blame him for her death as he was off having drinks with another woman instead of taking care of his wife.

This is important because when Rodney arrives home from work he finds that his daughter, Marge, is missing. While out looking for her the phone rings at his house telling the woman who picks it up that she has been buried alive and has four or five hours of air. With this news Rodney swears them to secrecy and goes looking for her based on the clues the caller gave. Why not call the cops? We already know that the sheriff hates him, especially after seeing the flashbacks that explain the animosity. The doctor wasn’t a very nice man. The rest of the movie is the search for the missing girl as well as trying to figure out who took her and why.

I kept my plot synopsis vague leaving out some details because this is a decent movie that I don’t want to spoil. That is doubly important because unlike his later efforts this Macabre isn’t a horror movie as much as it is a mystery. This leans heavily into the who done it and why plotline as they race to find the girl. Figuring that out might help them find Marge in time. That said we do get a lot of entertaining scenes of them creeping around a spooky cemetery in the middle of the night. This leads to a couple of gags that I won’t spoil but are clearly reused later in House on Haunted Hill. I found the story fun and the big reveal at the end a bit melodramatic but satisfying. When everything is explained it all makes sense, including some things about the story that had bugged me while watching it. Can’t say much more than that without spoilers.

The pacing is solid as well as the direction. Castle had worked for many years doing “B” pictures for the studios and television programs. By the time he set off on his own he knew how to make a lean flick that got right to the good stuff. Macabre is no different. He also cast some great actors in this one including the previously mentioned Jim Backus who even before his turn on Gilligan’s Island wasn’t really known as a heavy. Here he plays a bit of a bad guy. Another face that fans of seventies television will recognize is Ellen Corby who was Grandma on the Waltons. She did a lot of work in old Hollywood and was an excellent go to for a supporting role.

I really liked this movie. Though unlike his horror flicks I’m not sure how much I’ll re-watch Macabre. Being a mystery once you know what is coming a lot of the fun is taken out of it. That said the first watch is a blast and you get the bonus of seeing some early gags from Castle. Plus, I’m a completist and needed to see it. I recommend this one to both Castle fans as well as fans of mysteries.

 

© Copyright 2021 John Shatzer

Thursday, May 27, 2021

Featured Post - Slasher Marathon 2021

Since I started the website I've done a Slasher marathon every summer. This time I thought I'd start things off in the first week of June. Having covered almost a hundred of them already I'm starting to scrape the bottom of the barrel a bit. Though I've found some great ones down there in the muck. While you will see some familiar franchises (I still haven't gotten to all the Friday the 13th movies yet) I hope to bring you some new stuff as well. At least that is the plan. 

For previous years click on the links below. 

Slasher marathon 2020

If you have suggestions as to a movie you think I should cover drop me an email at gutmunchers@gmail.com and I'll add it to the list. Look for the reviews to start Wednesday June 2nd and last until I run out of movies to talk about.

-John


Movie 1: Wrong Turn (2003)

Here we go. I thought I'd start off the marathon with a newer movie that I really like. While it isn't perfect Wrong Turn is a fun throwback to the crazy redneck hillbilly genre of the seventies. I know that some of you won't like it on the list here but it checks enough boxes for me to include it. 




I dove back into the eighties to check out Sweet Sixteen. This flick falls into that category of repackaged to make it look like a slasher. Though they might have also thought they were making a slasher movie. I don't really know because this one is sort of a mess. Still it is kind of a slasher so here it lands. 




I thought since I had such terrible luck with digging into the eighties that maybe I should try something newer that I've not seen before. Spoilers... that didn't end well either. I'm honestly not sure what the filmmakers were trying to accomplish with this one. Half horror and half comedy it fails to deliver either. 




This movie has been on my list to cover since I started doing these marathons back in 2017. To be honest I was never a fan of the flick but it had been years and there was a new cleaned up Blu-Ray released so it was time to revisit. I'm glad that I did.





Here is another movie that may or may not belong in my slasher movie marathon. You could make the case for Mother's Day being a rape revenge flick, but it doesn't fit nicely into that category either. We get enough stalking and killing, the setting in the woods, and some fun kills. This checks a lot of slasher movie boxes so I'm including it here. 





This is a movie that feels as if it was shoehorned into the slasher genre. It is a bit of a confusing mess with some supernatural elements, war crimes, escaped psychos, and other assorted genre tropes. I give them an "A" for effort but in the end it is sort of a mess that doesn't know what it wants to be. Click the above link for more. 




I've only recently been turned on to the work of director Ruben Galindo Jr. and I've been digging it. Grave Robbers is his take on a more traditional slasher story and it kicks much ass! I guess that is a big spoiler but I love this movie. Click on the link above to get more. 





I've been meaning to work this shot on video slasher movie into one of my marathons since I started the site. When it popped up on Joe Bob Briggs I felt like it was meant to be. So you know have my thoughts on a movie that many people hate and some people tolerate. Where do I fall on that spectrum? You will have to read the review to find out. 




I've been avoiding covering this movie for a couple of years now. I watched it when it first came out and while I enjoyed the creativity of the kills and the well executed gore I've never been a fan. This movie has a mean streak and is explicit to the point of trying too hard. Read my review for more details. 




Back to the eighties I go with this late entry into the slasher genre. It follows all of the expected tropes but still disappoints. This is also the first of two slasher movies that a grown up Lisa Loring, Wednesday Adams from the sixties television show, appeared in. This isn't a good movie. 



This is another "people go into the woods and get dead movie". While it does have some fun special effects work from John Carl Buechler, the kills are creative and the killer looks cool, the movie is drug down with a terrible plot and pacing. Check out my full review at the link above for more details. 




There have been a lot of the retro slashers that have come out in the last few years. Movies that want to either remind you of the eighties or flat out try and set themselves in that decade. Most fail, some spectacularly. Death Rink doesn't do either. Check out my review for more details. 




I like to end these marathons on a high note by covering an old favorite or diving into one of the franchises. The Final Chapter is both of these. A great movie with some stellar effects work from Tom Savini and the dance moves of Crispin Glover. This is a must see. 




That is it for the Slasher marathon for the summer of 2021. I hope you guys enjoyed it and watch next summer for another installment. I still have some Friday the 13th movies, the Hatchet franchise, good old Chrome Skull, as well as many others to get to yet. If you have any suggestions for movies you would like to see me cover send an email to gutmunchers@gmail.com and I'll add them to my list. 

-John

© Copyright 2021 John Shatzer

Wednesday, May 26, 2021

Night of the Cobra Woman (1972)

I found another shot in the Philippines movie to review here for the website. This one kicks off with some nurses looking for plants to help their patients. This must happen during World War II since a Japanese soldier shows up and rapes one of them, leaving her for dead. Luckily the other, Lena, went into a nearby cave and was bitten by a snake. One that just so happened to be a God! That allows her to save her friend because you know… snake magic!

The action then jumps forward to “today” being the early seventies when this was made. There is an American student in Manilla studying antivenom and she decides that she must find the legendary Firebrand cobra. That leads her to a still young Lena and all sorts of shenanigans ensue. When Joanna, the American girl, tells her boyfriend about her search he heads out to see Lena. That is a bad idea because not only is he bitten by a cobra, but Lena then falls in love with him. This is unfortunate since she isn’t kind to her lovers, draining them of their “years” and leaving them old men. Luckily, snake venom will temporarily reverse the process. This all leads to a big showdown where I think evil wins. Yeah, it really does.

This is a low budget cheesy drive-in movie that is silly in all the best ways. The story is a bit confusing at times but serves the purpose of getting Lena her victims while providing an excuse for her to disrobe. Most importantly is the plot is tight and there is always something interesting happening on screen. You will not be bored by this movie. The acting is passable, and the cast are trying their best with what is a silly idea. Speaking of actors, I absolutely love Vic Diaz in this movie. He plays a dual role as the hunchbacked child born of the rape as well as the Japanese soldier who fathered him. Neither role has any dialogue, but he excels as Lope, the hunchback, hopping and squealing thru his scenes. Seriously this dude is a treasure of the drive-in genre. I also did a double take when I recognized actress Joy Bang in the role of Joanna. She was in one of my favorites Messiah of Evil the following year. She didn’t work a lot seeming to retire in the early seventies, so it was neat to see her show up here.

Cobra Eyes!
The makeup effects are goofy looking though all the skin peeling did creep me out. Though that might just be a personal hang up. Unfortunately, the rest of the gore is real. There are cock fights, an eagle killing a snake, and another snake getting chopped up. I’m not terribly squeamish myself having grown up hunting but it sucks seeing animals killed for the purposes of entertainment. It didn’t spoil the movie for me as this was common in the Philippines and part of the culture, but it did bug me. If you are sensitive to that sort of thing, be warned.

I like this movie. It checks a lot of those must have drive-in movie boxes. A small cast doing their best. Just a couple locations for most of the shoot. Special effects on a low budget. And an attitude of just going for it. This isn’t a perfect flick at all, but Night to the Cobra Woman does have its moments. I recommend checking it out.

 

© Copyright 2021 John Shatzer

 

 

Tuesday, May 25, 2021

Phantoms by Dean Koontz

Well it was only a matter of time before I reviewed a Koontz novel for the blog. He is one of my go to writers when I want to kick back and enjoy a few hours of literary horror. Here I decided to check out Phantoms, which I hadn’t read before, but I really dug the movie adaptation. Though I realize I might be the only person that did… well one of two… “Affleck, you the bomb in Phantoms, yo!”

Jenny is returning home to Snowfield, a small mountain town in California, with her younger sister Lisa. Their mother having died recently Jenny is now her only family. The town is eerily silent when they arrive and quickly enough, they discover a couple bodies. They make their way to the Sheriff’s substation and finding it abandoned make a call for help. This brings the sheriff, Hammond, and several of his men to their aid. Finding more bodies and thinking it might be a viral outbreak or unidentified disease they quarantine themselves and call for help from the military.

I’ll let you in on a little secret… it isn’t either of the above. What is it? Pretty early on Koontz lets the reader in on the fact that there is some intelligence behind the events. Something lurking in the shadows ready to leap out at any moment. This leads to the drama and tension that he does so well at creating. For a good chunk of the story it isn’t clear if this is some supernatural bugaboo or if it could all be explained by science. We get to see both sides thru the different characters populating the story. In the end it is still sort of left up to the reader to decide thru a series of clever twists. I love it when a book keeps you guessing.

The horror elements to Phantoms are very satisfying. The title refers to the fact that the thing lurking in the shadows can create doppelgangers of those that it has killed. Basically, phantoms that look correct, but aren’t quite right, that pop out and mess with the characters. The thing also enjoys tormenting people and has an excellent running conversation via a computer. In a way I think that Koontz predicted the horrible language used on texting/messaging all the way back in the early eighties! In addition to what I’ve already mentioned above there are some excellent kills where the absorption of victims is described in some detail and we even have a couple times when people are torn apart by tentacles. There really is a heck of a lot going on in this book!

My only criticism of Phantoms is that so much is happening in the book. I loved all the stuff related to the town but there is this odd bit tacked on with a man who killed his family and was arrested by Hammond. He breaks out of jail and ends up in the mountains where he meets another ancillary character who had been mentioned as the leader of a motorcycle gang. They exist only to be influenced by the shadowy creature into trying to get some revenge at the end of the novel in a sequence that feels equally as tacked on. This entire subplot and these characters seem unnecessary.

I’ve already mentioned the movie based on this book. As I normally do, I thought I’d compare the two of them. Sherriff Hammond seems like a much older character in the book, but the movie stars a younger Ben Affleck circa the late nineties. We also get the sister, Lisa, aged up a bit as she is portrayed by Rose McGowan. He was twenty-six and she was twenty-five when Phantoms was released. The movie also does a smart thing and focuses on the happenings in Snowfield, ignoring the murderer and biker gang. Other than that, it is really faithful to the book and what I’d consider a great adaptation.

I’ve always liked the movie and honestly liked the book even better. It’s an excellent read that is packed with enough creepy stuff to keep any horror fan glued to the pages. I’ve only mentioned a couple of the disturbing images and goings on in my review here. There is a lot more of it to be enjoyed. I recommend tracking yourself down a copy of Phantoms.

 

Ó Copyright 2021 John Shatzer

 

 

 

 

Monday, May 24, 2021

Hand of Death (1962)

I’m always talking about the fifties as the decade of the cheesy monster movie, but we got a few in the early sixties as well. This one stars John Agar as Alex, a scientist working on nerve gas to prevent a nuclear war. Yeah, I get it, but it was a different time, and this is a goofy creature feature so just go with it. Things kick off with the mailman showing up in a sweet little Model “A” Ford and immediately collapses in the front yard of a farmhouse. Some hazmat suit wearing figures come out and carry him into the lab. The poor guy had the misfortune of walking into one of Alex’s experiments, but no harm is done as they revive him.

Excited at the success Alex returns home to speak with his mentor, Dr. Ramsey, and his lady Carol. He thinks he can finish his formula in a month and returns to his lab in the middle of nowhere. Unfortunately, things aren’t quite going well and, in his rush to make the deadline he gets careless. So much so that he is exposed to the nerve gas, but it doesn’t kill him. It absorbs into his body so that anyone he touches dies. The poison in his system is also slowly killing and mutating him as well. Much mayhem occurs until as all proper monster movies should it ends with a sad walk away from the dead creature.

Hand of Death is a very simple and familiar creature feature. Well-meaning scientist has an accident and turns into monster. He has a love interest who he puts in danger. The police/army roll in to save the day. We are all a little bit sad at his fate but also understand you shouldn’t play God. This formula was used again and again and to some extent is still used today. I’m okay with the movie not breaking any new ground as long as it is executed well. Clocking with a runtime that is barely over an hour Hand of Death is a fast paced and fun watch. John Agar was very good in these sorts of flicks and it is no different here. We also get to see a very young Butch Patrick, Eddie from The Munsters, as a kid who has a close call with the monster.

Its clobbering time!
I did do a double take when Joe Besser from the Three Stooges shows up as a service station attendant. This leads me to one observation and that is the odd attempts at humor. In between the horrible deaths we get some comedic bits including the brief scene with Besser. That seemed odd, but it doesn’t slow things down or ruin the monster, so I guess that it isn’t a big deal. Still weird though.

The creature is a very basic design, but it works well. The makeup looks very much like The Thing from the Fantastic Four comic, which was created a few years after this. Could there be some inspiration there? Who knows, but it is fun to speculate. The deaths are all brought to screen with the victims covered in the same deformities as Alex, though they aren’t resistant to the poison, which is why it kills them right away.

If you are looking for a way to turn your brain off and kill an hour there are a heck of a lot worse ways to do this than Hand of Death. While not the best example this is a perfectly serviceable monster movie that will scratch that itch if you feel the need. I recommend it.

 

© Copyright 2021 John Shatzer

Thursday, May 20, 2021

Why? (2019)

I was digging thru my to watch pile when I found this movie and thought I’d check it out. From what I could find online it was pitched as a slasher movie, but really isn’t. What it is or at least is trying to be is a psychological thriller with most of the movie a cat and mouse game between a woman in an isolated cabin and a crazed killer who likes to wear faces. Well, that sounds familiar doesn’t it?

After showing us a woman getting killed in a parking garage the action moves to a woman and man in bed talking about their big weekend at “the cabin”. They seem to be in love and shit so that is a thing. Then the action moves to a lady and her guy having sex in a tent in the woods. Someone sneaks up on them and hacks them to death with an axe. At this point I had no idea what is going on, but the movie had my attention. Three solid kills right away, maybe this was a slasher flick. Then it all goes sideways.

The woman from earlier in bed is named Blake and we see her driving to the cabin when she gets a phone call. This serves two purposes. One to establish that cell service is crappy where she is headed and two to give us our first glorified cameo. Natasha Henstridge shows up for a hot minute on the phone as her editor. After promising to work on her new book Blake stops at a store and the locals get weird when she tells them she is headed to the Conrad cabin. I suppose they know there is a killer running around. But if so, why not say something? Yeah, I know horror tropes and all.

As you have probably figured out the killer is around and starts to mess with her right away. He even breaks in the house and watches her sleep. Though I found it annoying that he is always magically able to be right there in the shadows and she never sees him. I can forgive a couple of times, but they do it again and again. At some point she had to know he was there. Even more annoying is when she sees the killer, she drops her phone and runs away… aimlessly thru the woods. It was at this point I began rooting for the killer just to get this movie over with.

Other things happen like her boyfriend calling the local sheriff for him to do a welfare check. This allows Lance Henriksen to show up on the phone in yet another glorified cameo. He sends his deputy out and blah blah blah… You know what? I really didn’t like this movie.

Clocking in at only seventy-eight minutes this movie had to work very hard to be this boring. After some fun kills in the first ten the rest of the flick is nothing more than an uninteresting killer in a hoodie walking around the woods/house. All the characters are bland, including said killer, and I honestly didn’t care what was going on. Henstridge and Henriksen are obviously cashing paychecks as both are phoning in their performances… literally! Some of the kills look decent and there is a fun gag with a faceless woman, but that doesn’t save the movie.

I have no idea what they were trying to make here but whatever it was they failed. There clearly was some talent here as the movie looks good and is shot well. The makeup was also fine, and I don’t think the cast was too bad. They just had no plot and not even enough ideas to fill up the short runtime. Oh, and they only got to that length with the inclusion of an obvious nightmare scene and tacked on gag with a babysitter that had absolutely nothing to do with the main story. Why? I guess the title is referring to the audience looking at each other and asking, “Why did I waste my time watching this?”. I don’t recommend wasting your time on this one.

 

© Copyright 2021 John Shatzer

 

 

Tuesday, May 18, 2021

The Forgotten Room by Lincoln Child

This is another in the series of stories surrounding Dr. Jeremy Logan, an enigmalogist. The title and discipline are one that he has made for himself. A history professor by day he finds himself brought into situations to investigate phenomenon that has no logical explanation. I’ve totally read these out of order having already reviewed Terminal Freeze for the site, where he is a supporting character. I’ve also covered the follow up Full Wolf Moon. Thought I’d might as well fill in the gap.

Things kick off with Logan at a press conference having solved the riddle of Loch Ness. Thru solid research he has proven that there is no way that the creature can possibly exist, so everyone needs to stop putting themselves at risk searching the treacherous waters. Then of course we see the private conversation afterwards about destroying the evidence that he has found. Nessie exists, but to protect it and those looking for it the powers that be decide to cover it up and destroy the evidence! Cool way to start the story. This conversation is interrupted when he is summoned to return back to the U.S. to help out an old friend.

The Lux is a thinktank, basically a place where the smartest of the smart can get together and do research. They are housed in a huge mansion that has been their home for a hundred years. One of their retiring members had a mental break and killed himself in a rather gruesome way. Those in charge don’t believe that it was a simple suicide and hire Logan to investigate. Backtracking on the work that the man was doing before he died Logan discovers a mysterious room with an even more mysterious machine in it. The remainder of the book is the unraveling of the purpose of the room and contents. Also why are people hearing voices? And who is trying to kill him?

Yet again the author does a fantastic job of playing on the expectations of the reader. For much of the book it seems as if the machine is summoning or at least allowing ghosts to speak to the living. Different characters hear voices and music in the night and eventually they intrude on the day. This causes all sorts of erratic behaviors including attempted suicide and violent outbursts. Logan keeping his mind open dives into the work as if it is some sort of primitive EVP device. But as more of the story is revealed a scientific, but not less fascinating story is told. Much like Full Wolf Moon I like the idea of logical real world explanations of the supernatural.

The last quarter of the book the action kicks up as the killers descend on the Lux after it has been evacuated due to an incoming hurricane. There is a big chase scene thru the mansion as Logan’s survival skills and cleverness are put to the test. Eventually he is able to turn the tables on the antagonists and save the day. If I had a complaint about The Forgotten Room, it would be this sequence. The running around and hiding form the killers gets monotonous after a while. I loved the setup and the mystery leading up to it, but this just seemed forced. It was like Child didn’t have a good way to end the story.

We also get some more background on the character as it is explained he was briefly a member of the Lux before his field of study was deemed unworthy of the institution. This is also the first time that Logan’s wife is mentioned. I enjoy that these snippets of information are parsed out slowly by Child to the reader giving more depth to the Logan character one book at a time.

For me the Forgotten Room wasn’t a slam dunk like Terminal Freeze or Full Wolf Moon. But it still is a solid book that is a decent read if you find yourself a copy. That said if you wanted to dip your toes into the world of Dr. Jeremy Logan, I’d recommend Terminal Freeze as a better place to start. And it is the first time he appears as more than a minor character (he is mentioned or appears in one scene in earlier books) so you would be reading it in order!

 

Ó Copyright 2021 John Shatzer