My friend
Tim Gross from Gross Movie Reviews (find him at https://grossmoviereviews.com/ for some killer reviews) loves
Spookies. I like to give him shit about it but I honestly hadn’t watched the
movie since the mid ‘90s. So, I figured that some twenty years since my last
viewing I should give it another try. You know to see if I was wrong and Tim
was right. So here we go.
There is a
spooky old house where a Sorcerer has spent the last seventy years trapping and
killing people in the hopes of bringing the woman he loves back to life. The
latest batch of victims includes a couple car loads of people looking to party
and a kid who wandered off in the woods because his parents forgot his 13th
birthday. They end up at the house and the Sorcerer sends his “children” after
them hoping to add their souls to his collection. As the killings start his bride
wakes up and we find out that she isn’t thrilled and just wants to die. Seems
she doesn’t actually love the guy. More death happens and eventually the object
of the Sorcerers affections makes a break for it.
To start
with I will admit that there are parts of this movie that are way better then I
remember them being. Mostly the makeup effects work, which are top notch. I’ll
talk about those in more detail in a second. Overall, I still think that the
movie isn’t great. It feels like an audition reel for a special effects guy
trying to get a job. The narrative is barely cohesive and feels like a random
string of kills linked with the weak plot of the Sorcerer just wanting to kill
people. The trapped in a house with a killer motif is very familiar to fans of
the horror genre. Normally we get some sort of plot involving the killer that
lets the characters and audience in on a way to defeat the big bad and save
their lives. That doesn’t exist in this movie. It basically feels like the
characters are screwed right from the start and have no chance. That is one of
the reasons I find it hard to enjoy Spookies.
Another
reason that the movie doesn’t work for me is the acting. Even for a low budget
‘80s horror flick it is pretty bad. The cast is utterly forgettable which
sucks. You get a lot of the normal archetypes that you would expect including
the tough guy punk, here named Duke, as well as some annoying comic relief. The
actor that plays Duke almost isn’t bad enough. I wanted him to chew up some
scenery and be over the top. He is way too subdued. Oh, and my God the comic
relief… Not only do we get bad jokes but there is a puppet. You know the more I
think about it the more I appreciate this character. At least I remembered it
after the end credits rolled.
If I want puppets in my horror movie I'll watch Puppetmaster |
The one
positive thing that Spookies has going for it are the special effects work. Again,
as I mentioned it feels like an audition reel. We get splashes of all kinds of
genre creatures in the movie and they are all done well. There is a wolf man
that looks nice, a Grim Reaper statue that comes to life that is also a decent
creature effect, and a horde of zombies that claw out of the grave to attack!
But that isn’t all. We have a woman that turns into a spider and has a familiar
looking minion that shall we say likes to grab onto one’s face. There are
bloated creatures that come out in the basement that fart and are killed by
wine, which leads to a cool melting effect. Speaking of melting one character
is attacked and melts ala the ending of the original Evil Dead, stop motion
style. Any one of these creatures would have made for a great movie villain,
but all of them together don’t work. Too much of a good thing.
As an
avowed lover of practical effects work I can’t hate Spookies. I still have
problems with the lousy narrative, uninteresting characters, and terribly
uneven pacing. But there are some fun things to enjoy as well. I can’t imagine
needing to watch this movie again for at least another twenty years, but I
didn’t hate it. The best part is you can watch it on YouTube so it will only
cost you an hour and a half of your time. I think that is worth it.
© Copyright 2017 John Shatzer
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