The
Bigfoot marathon continues and since it is Friday, I thought it would be fun to
hit you guys up with a Fifties entry into the genre. Not only that but here we
have a Hammer flick starring Peter Cushing and Forrest Tucker! How cool is
that?
Cushing
plays a botanist named Rollason who is in the Himalayas studying the local
plants for their medicinal uses. He is there with his wife and a colleague, but
also has some ulterior motives. He knows that there is an expedition that is
going to go further up the mountain to the upper valleys in search of the
legendary Yeti and has been invited to tag along. This is much to the dismay of
his wife who begs him not to go. But when Tom Friend (Forrest Tucker’s
character) and his group arrive Rollason decides to take the chance to prove
some of his theories about the existence of life higher up on the mountain. The
small group sets off, leaving the Sherpas and Rollason’s wife behind.
The rest
of the movie is the small band of men trekking higher up and hearing strange
noises as they go. Along the way they are shot at and encouraged not to go any
further by the locals. When they do encounter the Yeti, it seems at first that
the beast is stalking them like a predator. But as the story unfolds it does
become apparent that it might be man who is the beast and that the Yeti just
wants to be left alone. This idea is further enforced by the ending of the
movie which I won’t spoil here because it is too good and needs to be seen.
First up
this is a very well-made movie directed by Val Guest who was responsible for
some amazing sci-fi from Hammer Studio’s early days. Most notably he was the director
of the first couple Quartermass flicks and the underappreciated The Day the
Earth Caught Fire. The pacing is perfect as we get just enough backstory while
creepy sounds and shadows are mixed in to build tension. This is one of those
fantastic movies that lets you know the creature is around without putting it
right in front of your face. For most of the duration all we see is an arm and
a shadow glimpsed in the heavy snowstorm. When we finally do see the creature,
the decision is made to have it blurry and out of focus except for the eyes.
This is important because of the point that the movie is trying to get across
to the audience about the intelligence of the Yeti and why they are hiding.
These creatures are smart enough to steal the guns! |
The cast
is great with Cushing and Tucker leading the way. Since we don’t see the
creature the fear and tension has to come from the cast interacting with the
isolated environment, the snowstorm that traps them, and the ever present howls
and noises echoing in the night. They have to sell the story to the audience
and do so with performances that are top notch. I imagine that this is helped
due to the fact that the cast, director, and Hammer Studios took their sci-fi
and horror films very seriously. Unlike a lot of the output of the Fifties this
isn’t tongue in cheek or high school kids dealing with spacemen. These are
grownups dealing with scary situations with body counts and I dig it.
A Hammer
movie starring Peter Cushing is normally going to have my recommendation. In fact,
I can’t think of one that I didn’t enjoy on some level. That said The
Abominable Snowman stands out as one of the best creature movies from the
Fifties and should be on everyone’s must watch list. I highly recommend it!
Note:
Make sure you track this one down under the title The Abominable Snowman
and not The Abominable Snowman of the Himalayas. The latter is a U.S. cut that
has some scenes cut out of it.
© Copyright 2019 John Shatzer
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