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I thought I'd kick the new year off with another movie marathon. I thought it was time to check out a few old school mystery flicks. Som...

Showing posts with label Genre - Horror. Show all posts
Showing posts with label Genre - Horror. Show all posts

Thursday, March 7, 2024

Doctor Hackenstein (1988)

The eighties had a lot of attempts at horror comedy. Some of them like Return of the Living Dead or Frankenhooker worked really well. Others not so much. Horror movies can be hard but nothing is harder then making an audience laugh so trying to jam them both together isn’t an easy task to take on. How well did Doctor Hackenstein handle this? Lets take a look.

The movie opens with Hackenstein hosting Dean Slesinger, his boss at University, for supper. They talk a bit about him returning to campus and moving his lab and experiments there. There is talk about his research involving reanimation of dead tissue and bringing things back to life. Yeah, this is another comedic take on Frankenstein if you haven’t figured it out yet. The good doctor wants to return the love of his life back to the land of the living. All he has is her head though so he will have to make her a body. Though due to the incompetence of his body snatchers he is all out of spare parts to make that happen.

Luckily, a car full of young ladies gets stranded and have to spend the night at his house. Shenanigans ensue as the doctor picks the ladies off one at a time to rebuild his wife. There is also a subplot with a local police detective who is looking for the girls after arresting the body snatchers. Eventually things wrap up with some Animal House type updates on what happened to our characters after the events of the movie. The end.

I had some hope for Doctor Hackenstein but for me the movie failed as both a comedy and a horror story. They lean heavily into the jokes and while I found some of it okay like the mute housekeeper and some of the slapstick physical gags it at most elicited a snicker from me. If the point of your movie is to make the audience laugh, then you have to do much better than that. Since so much effort was spent on the attempted humor the horror elements fall flat. Other than some blood splatter there is zero gore. And while I suppose this may be a spoiler, we find out in the end that no one died! Again, I understand that they weren’t trying to be a gory and/or nasty flick but you can do both. The previously mentioned Frankenhooker walks that line perfectly combining laughs as well as horror tropes/gags.

Before anyone sits down to compose an angry email to me about how it isn’t fair that I compare this movie to others like this please stop. While I won’t debate the legitimacy of using similar flicks as a baseline, I do want to point out that this movie is referencing and lifting gags from other comedies. From the Animal House like updates to the mute housekeeper which is very similar to the Ruth Buzzi character from Murder by Death the filmmakers keep reminding us of much better movies. Hell, they even use the name pronunciation joke from the very similar and far better Young Frankenstein. This reminds me of watching independent zombie movies that insist on showing characters watching Night of the Living Dead. Stop showing me something in your movie that I would much rather be watching!

Now it isn’t all bad. There are some familiar faces including married couple Logan Ramsey (Walking Tall, Scrooged) and Anne Ramsey (Throw Momma from the Train, The Goonies) so the filmmakers had some money to hire talent. I had forgotten how funny that Anne Ramsey was. Her dialogue and delivery are top notch. Legendary Phyllis Diller shows up for a hot minute, though she is wasted here. I also wanted to mention actress Cathy Cahn who played the mute housekeeper Yolanda. Her scenes involve a lot of physical comedy and are over the top. When she is on camera there is a different energy, and the movie is simply better. Unfortunately, all of their efforts are wasted with the uninspired script and direction.

Is Doctor Hackenstein a terrible movie? Not really. I’ve seen much worse but that doesn’t mean I’d recommend spending any time on this forgettable attempt at a horror comedy. There are much better options to scratch that itch.

 

© Copyright 2024 John Shatzer

Thursday, February 29, 2024

Specters (1987)

Time for some Italian eighties horror that I’ve not seen before. The movie opens with some workers using a large boring machine to extend a subway tunnel. The vibration disturbs a nearby archaeological site which uncovers a hidden tomb beneath the ruins. This excites the leader of the expedition, Professor Lasky, who declares it as the mysterious pagan site they have been looking for. It predates even the Christian catacombs nearby. This all seems fine… right?

Well after meeting Alice, an actress working on a horror movie nearby, and her boyfriend Marcus, who works for Lasky, we then see something is wrong. There is some evil force that rises from beneath the ground terrorizing the locals. What is it and why does it start to kill? In a bit of a dialogue dump from Lasky we find out that the pagan site was a place where sacrifices were made to an ancient god of evil. So I’m figuring it is that guy getting up to bad stuff now that he has been released/disturbed. More bodies pile up, Alice is kidnapped by the god of evil, and Marcus saves the day by blowing up the site and rescuing Alice. Though it may not come as a surprise when someone tags along on their honeymoon… oh yeah I forgot to mention after saving her Marcus proposes to Alice because that is what you do in a horror flick.

Okay that sounded snarky, but I actually had fun with Specters. I mean the plot doesn’t make a ton of sense as this is your typical Italian horror movie leaning into stylistic visuals and sound design rather than a cohesive plot. Think Argento’s non Gialli efforts and some of Bava’s more esoteric movies, though I’d never say Specters is on that level. Those are the gold standard, but I’d say this one is a solid second tier example beneath them. I only mention those filmmakers as an easy comparison to let you know what you are in for if you sit down with this one. And to circle back around to the beginning there is a basic plot to follow. Dig a hole, let evil out, blow up the hole to seal it back in. There are just some hoops that you have to jump thru along the way for it to work and some of those can stretch the audience’s imagination to the breaking point. Hopefully that makes sense.

The kills in the movie are a bit tame but are creatively staged. We get a man falling thru stained glass with a throat cutting, a few folks getting ripped up by a claw appearing out of nowhere, another gets his heart ripped out, but my favorite has to be the dude in the wall. We see something grab him and later he is merged or hanging halfway out of a wall skinned. That is the best effect of the movie by far and will stick with me. We don’t see much of the evil god on screen other than the random clawed arm, but there is one reveal in backlight that hides much of the costume but gives enough for it to be satisfying. If you don’t have the budget for a creature be creative and let the audience fill in the blanks. They do that really well here.

Speaking of creative much of the tension is created with liberal use of industrial fans to create a creepy wind effect to let you know evil is present as well as some nifty sound design. The musical stingers as well as the odd sounds create an atmosphere that supports the ideas the story is attempting to sell to the audience. I like it when all the parts of a production work together like this. We also have some fun visuals including a nifty bit with the moon reflecting on the surface of water, the glowing yellow eyes to signify someone has seen something horrifying, as well as the way the tunnels and caverns are lit. Though the best is a Nightmare on Elm Street style bed attack on Alice. Yeah, I’ve seen it before but done this well it still works.

If I’m being honest the reason that I grabbed this VHS, and yes like all eighties oddities this was best watched on VHS, was the one recognizable name in the cast. Starring as Professor Lasky is the late great Donald Pleasence. I love the guy and mean no offense, but he did occasionally phone it is for a paycheck. Here in his limited screentime he is the highlight. Using his dialogue to help along the muddled plot makes a huge difference and the movie is way better when he is on screen. Unfortunately, he isn’t in much of the movie, which was a disappointment. But since I found myself on the fence with Specters his presence alone pushed it into the positives for me.

In conclusion if you dig Italian horror that leans into style (visuals, sound design) over substance (plot, narrative) then you might enjoy this movie. It certainly has that vibe and is worth a chance. On the other hand, if this sort of thing bugs you, I’d anticipate you hating Specters. Armed with this information I figure you can make your own decision. Personally, I’m glad to have watched it. Probably won’t need to ever revisit it, but still not a bad way to kill an hour and a half.

 

© Copyright 2024 John Shatzer

Friday, February 23, 2024

The Evil Below (1989)

I’ve been in the mood for some oddball eighties movies so I’ve started digging thru my stacks of tapes to see if I can unearth any gems. I had a VHS copy of The Evil Below, which I have no idea where I acquired it, and thought I’d give it a chance. Though I’ve not had much success with South African lensed flicks other than maybe Hardware and even that wasn’t a favorite of mine I was willing to give this one a chance. Was that a mistake? Let us find out.

The movie opens with a sailing vessel, or rather a decent looking model of one, being tossed in some rough seas. Thanks to a helpful bit of text on the screen we know this is the past, specifically the sixteen hundreds. Then the action moves to a man and woman diving. They find the wreck of the ship and are killed by a giant fish. Not a shark but a toothy barracuda looking scaley bastard! I’m guessing those aren’t our main characters otherwise this was a short movie.

Now we meet our main characters. Max is a fishing boat captain that is having difficulty paying the bills. He meets a lady in a bar named Sarah in a bar and they head to her room for some groping and brief nudity before she starts to cry, and he leaves. The next day she comes to the docks to hire a boat to go looking for a treasure ship named The El Diablo. Guess who has the only available boat? Now do we get some explanation as to why she cried when they started to hook up? Hell no. This sadly will become a familiar theme.

"Thrilling" bar scene 27...
Be warned spoilers follow. As they look for the treasure they visit Max’s Dad, who is murdered. By whom and why? I can only guess that it was the bad guy a local expert on antiques named Calhoun, who also has a random henchman named Barlow. Both of whom are basically immortal supernatural creatures. Wait… why and how? It must not matter because the movie makes zero effort to explain what the hell is going on. Eventually Max and Sarah blow up the wreck which ends the curse… I think… and the movie ends.

This one is a mess. I’m not sure if the script was poorly written or if the editor didn’t know what they were doing but the results are the same. The characters jump from scene to scene without any connective narrative between them. We literally get people talking in a bar, then suddenly underwater in scuba gear, to being back on the boat talking about going to the bar. The action jumps around like this not once but throughout the entire runtime. It makes for a jumbled mess and kills any momentum that the movie might have created. Then again that was an unlikely hope for a movie that is filled with unnecessary characters. I mean what is up with the priest characters who apparently are there to die and not add anything to the story. And that is plural as in the first one dies and then his replacement also dies in the same basic way. Toss in some underwater footage that is nothing more than padding for a miserable way to spend ninety minutes.

"Thrilling" SCUBA scene 14.
The Evil Below also tries to sell itself as horror in addition to mystery and adventure. Other than the immortal bad guys and hints at a curse there is very little horror to be had here. That might explain why the kills are all offscreen and lame. There is also zero mystery here… other than me asking myself why I was watching this that is. I suppose the best way to describe the movie is as an adventure flick with little to no adventure.

I’m still struggling to find a South African produced genre flick that I dig. And yes I’ve seen Dust Devil in addition to Hardware. The Evil Below is one of the slowest and most pointless exercises in cinema that I’ve seen in a quite a while. I can’t recommend anyone spending their time and/or god forbid their money on it. This is a VHS that I should have left on the shelf collecting dust.

 

© Copyright 2024 John Shatzer

Friday, February 16, 2024

Gangnam Zombie (2023)

The movie opens with a man and woman, who we later find out are Hyeon-seok and Min-jeong, fighting a running battle with some zombies. He tosses her into a car before kicking some zombie ass. Though it doesn’t take long for him to be overwhelmed so it doesn’t seem to end well. The action then jumps back twenty four hours. Here we see that the outbreak starts when some criminals are breaking into a shipping container to steal some jewelry. There is a cat that scratches one of them and he turns. So, I guess it was a zombie cat?

Here we meet Hyeon-seok and Min-jeong as they both work for the same YouTube company. Is that a thing? Basically, they make prank videos, although not well since the boss hasn’t paid them or the rent in a while. We also meet the landlord who is obsessed with her building. So much so when the zombies attack, she has security lock the building down and refuses to allow anyone to call the police. You know because it will hurt the property values and stuff… The rest of the movie are the zombies killing folks until we catch up to the opening scene. After that the zombies kill folks until the survivors make their escape. That is pretty much all we got.

This is clearly a very low budget Korean zombie movie. The filmmakers do a few things correctly. They hired actors that can deliver dialogue and our leads have some chemistry. They also understand that they don’t have a large budget so other than a few scenes at the beginning the majority of the movie takes place in a single office building which I’m assuming they had during off hours. They kept the zombie makeup basic with black or bloodshot eyes with a bit of blood around the mouth. These are all good things.

Though the lack of a memorable kill or two is a hindrance. Despite a lot of people being attacked all of the bits are offscreen and what we do see is the zombie or zombies looking up with blood coming out of their mouth. When I sit down to watch a zombie movie I’m expecting some gore and here we get nothing much in that area. But the biggest issue that I have with Gangnam Zombie is the dreadful pacing. This movie is only an hour and twenty minutes long. Other than the one brief post cat zombie attack nothing much happens for over half an hour. Well, I mean we get some drama about Hyeon-seok having a thing for his co-worker Min-jeong which seems unrequited. We also find out that it is hard for a woman to work in their field as there is some inappropriate touching of her by the boss. There is even a bit of class warfare in the way that the lady landlord treats the “poor” people. All of this is set to a Christmas background that feels right out of a Hallmark movie… a bad one.

Notice what is missing? Zombies! I signed up to watch a zombie movie not some lame ass Korean drama about modern society and the challenges of those living in it! Now you might be saying “well at least things get better when the zombies attack” and you wouldn’t be totally wrong. But between scenes of Hyeon-seok karate kicking the crap out of the shuffling dead we get periods where the characters talk to each other. These “getting to know you” bits of dialogue slam the brakes on what was already not a fast paced zombie story. This seems like a movie that decided to shoot itself in the foot whenever the chance to do something entertaining came up.

Throw in the inexplicably odd plastic vampire teeth on the zombies (think Sprit Halloween level costume here my friends) and the non-ending conclusion to the story where they escape the building full of zombies and leave the giant garage door behind them dooming the city to the fate they narrowly escaped and you have a movie that made me feel like I wasted my time. I don’t recommend that you also waste your time on this one.

 

© Copyright 2024 John Shatzer

Thursday, February 15, 2024

Throwback Thursday - Horns by Joe Hill

note: This review was written over twelve years ago for another project I was working on. After rereading it and doing a bit of clean up before posting it here I have to say that I still really enjoyed it. Joe Hill has gone on to become one of my favorite authors and has certainly carved out his own path separate from his famous father. I should also get around to covering the movie adaptation as well since I also very much enjoyed it. Now onto the review.

This is the second book that I’ve read from Joe Hill and I have enjoyed the heck out of both of them. In this one we follow three main characters, Ig, Merrin, and Lee. Ig and Merrin are a couple and when the book opens up it is a year after Merrin’s body has been found. In that year everyone believes that Ig killed her. He wakes up on the one year anniversary of her death with a set of horns on his head. These horns make anyone that he talks to admit their deepest secrets, no matter how terrible. Quite by accident this leads Ig to the surprising truth about her death (just a hint he didn’t kill her…). So who killed Merrin? What will Ig do with this information? And just what the heck are up with the horns growing out of his head? All this unravels in a satisfying and enjoyable way.

And I do mean that. This is one of those books that had me hooked right away. Hill tells the story in a series of flashbacks wrapped around what is presently happening to Ig. Not only do we get some of the story from those telling Ig terrible secrets, but he also discovers that when he touches someone he can experience their memories. This is a neat narrative trick for Hill to use because it allows us to see the story unfold thru the eyes of several different characters. In the case of one of them it becomes quite obvious that while they are delusional, we the reader can see how they twisted things around in their head. I found that this made the characters all the more interesting.

Since I’m on the subject of the characters I have to say that Hill does a great job of making them feel real. They jump right off of the page and I as a reader felt invested in their fates. There were times when I was actually worried about what was going to happen to Ig. I’m not easily taken in by characters, even when I like a book, so I was obviously hooked. This was one of the reasons that I was glued to the book and unable to put it down. I cared and wanted to see what happened to them next. Even the supposed “bad guy” had a backstory where it was not forgivable but sad to see what life had done to put him or her in that situation. 

At first, I didn’t like the story jumping around from past to present back to past, but without giving anything away there is a good reason that this happens. There is a point where the action very cleverly wraps back around on itself as a couple points in time intersect. Between this, the identity of the killer, and a twist that I should have seen coming but didn’t had me smiling and satisfied when the last word was read. 

I don’t know what else I can say about Horns without spoiling what makes the books so much fun to read. Joe Hill is quickly becoming a must read author for me and I look forward to checking out his collection of short stories which I have on my eReader already. If you get the chance to check out either Horns or Heart Shaped Box, I encourage you to do so. He is a talent that we all will be hearing about for years to come so get in on the ground floor! 

© Copyright 2024 John Shatzer

Wednesday, December 20, 2023

Christmas Presence (2018)

More holiday horrors. This English production starts off with a couple of young girls playing in the woods. Seemingly one of them is grabbed by a tree or something before the setting moves to years later. McKenzie has booked a house for her friends to party at during the Christmas season. In case you were wondering she is one of the little girls from earlier now all grown up. He father has recently died so everyone is coming to cheer her up. To that end she has rented a house in the country. I’m sure that it’s close proximity to her sister’s place of disappearance wont’ be important.

After meeting the other characters we are then given multiple party montages with drinking, snarky comments, and even an impromptu lingerie show! One of them is a clothes designer who gifts his friends clothes from his new line. There is a lot of talk about gender, politics, and being gay. None of this particularly bothered me for the content. I just mention it because between that and the extended party scenes it takes far too long to get to any of the spooky stuff. Though eventually Hugo, the fashion designer, disappears and they split up to go looking for him. So here we go with the horror… right? Nope they all wander around, some feelings are discussed, and eventually they return back to the house.

After a while they find his body by the woodpile where I guess they never thought to look earlier. That is when the spooky stuff starts to happen. There is some malevolent force picking them off one at a time. They all see something different as it uses their greatest fear to kill them. Though some of them are a stretch. I mean the claustrophobic girl dying by a couch “eating” her! Sure she suffocates but is that really the best they could do? If they had been playing this for laughs maybe but this is supposed to be serious.

Eventually we find out there is a local caretaker who I guess worships Satan, honestly one throwaway line ten seconds before the end credits roll is all we get. He is there to clean up the bodies after they are murdered. To answer my question from earlier the location near the sister’s disappearance ends up not being important at all. They never tie her the Satanist and other than being McKenzie’s fear. She has guilt over leaving her, which is never completely explained either. So, in the end it seemingly is a random coincidence.

Not a fan of this one. The story does have an interesting germ of an idea at it’s core but the execution leaves a lot to be desired. I was unsatisfied with the limited screentime that the Satan worshipping caretaker gets. He actually seemed like an interesting fella but is hardly onscreen. Instead, we are treated to a bunch of uninteresting caricatures with McKenzie and her friends. I don’t blame the cast as they all seem to be doing their best with the paper thin story and terrible dialogue. I just didn’t buy that these folks would actually be friends and want to hang out. The fact that the movie doubles down and tries to make the plot more about the drama in their lives and less about the horror just added to how tedious sitting thru Christmas Presence was.

The visuals are stunning
The deaths in this movie are fairly tame. Many happen off screen and others are just odd. I’ve already mentioned the death by couch but have you ever seen a death by coughing up buttons? Like actual buttons from a cardigan! Maybe I missed something but was it established that the character had a phobia about buttons? I did find one particular kill with a character slashing his own throat only to be stabbed and hacked after dropping to the ground to be solid. The final kill in the movie has a Wicker Man vibe to it but is poorly done. Again, I feel the need to remind filmmakers to never remind the audience of a much better movie they’d rather be watching. This was a terrible way to end the movie and left me even more disappointed in what I had just watched.

While most of my review has been negative I will give the movie some credit. It is beautifully shot. They certainly know how to make the woods and old house look and feel creepy. Some of the creature effects are good as well. But in the end this one starts off slow and ends with a whimper. I can’t recommend Christmas Presence.

 

© Copyright 2023 John Shatzer

Wednesday, December 13, 2023

It’s a Wonderful Knife (2023)

Continuing with some holiday horror I thought I’d check out this flick that just dropped on Shudder. I mean it has a catchy name and some familiar faces so why not? I mean I’m sure it is all gimmick and not very good… but then again, I could be wrong. 

We meet the members of a couple of families the Waters, and the Carruthers. Henry Waters, played by Justin Long (one of those familiar faces), is the mayor of Angle Falls and is a bit of a sleaze bag. No spoilers there as he is clearly trying to muscle in on the family-owned business’s downtown to remake Angel Falls into his own vision. The Carruthers are led by dad David, mom Judy and siblings Winnie and Jimmy. Well on Christmas a crazed killer wearing an angel costume murders and elderly man and then goes after Winnie and her friends. Though she manages to stop the murderer and reveal he was Henry, who clearly had a screw loose. But not before her best friend Cara dies. 

Now here is where the take on another famous holiday movie comes into play. A year later everyone but Winnie has moved on. She however isn’t in the mood for the holidays and after a big blow up with her family wishes she was never born. See what they did there? Any who without her stopping the killer due to never existing the town of Angel Falls has gone right to hell. The murders have hit twenty-six or twenty-seven (the characters can’t decide…) and Mayor Waters has taken control of the downtown. 

Since we already know who the killer is they just explain that he was targeting families who had property or businesses that he wanted to take. So it was all about money at least at first. Along the way she befriends the weird girl Bernie, finds out a secret about her boyfriend, and generally learns to appreciate her life, despite the murders. There are a few twists that I didn’t see coming before we get the happy ending with Winnie reuniting with her family in a world where she was born. I mean it is still a year later and a bunch of folks are dead… Merry Christmas?

Okay I know that I sounded a bit snarky in my plot synopsis. It may have also been a bit vague on details but that is because I really liked It’s a Wonderful Knife and don’t want to spoil it. The story is surprisingly sweet for having a body count of ten! Sure there are some brutal deaths, but we also get valuable life lessons in between the murders. Now that might seem like something that can’t and shouldn’t be able to exists together, but the story is so cleverly written that it does. I had expected a lazy cash in on a nod to a classic but there was real thought put into the characters, twists to mess with audience expectations, and dialogue. Nothing feels forced here, not even when an exchange like, “You are my George Bailey.” “Will you be my Clarence.” It feels natural and a connection the characters would make. This is what happens when a talented writer, in this case Michael Kennedy, is given time to flesh out character and story. 

Most of the cast is made of younger actors and actresses that I’ve not seen before. There are a few familiar faces with the previously mentioned Justin Long appearing. We also get Joel McHale as David Carruthers. I don’t believe that people give him enough credit as he is normally solid in any role he is given, and this movie is no different. There is also a very short buy memorable appearance from William B. Davis as an early victim of the killer. Who doesn’t love to see the Cigarette Man show up now and again? 

The kills are spaced out and decent enough. These aren’t classics like the old days, and they lean too much into digital for my taste. But there are a lot and many of them are cleverly conceived. The highlights for me are an eye stabbing, an axe to the back, a solid looking throat slash, and a satisfying gut stabbing. Thought the most festive has to be the candy cane thru the mouth. It was both Holly and Jolly!

It wasn’t until after I watched It’s a Wonderful Knife that I realized the director of this movie, Michael Kennedy, was responsible for Patchwork which is a movie that I dug a lot. He also made a movie called Tragedy Girls that I’ve been meaning to check out. I’ve caught bits of it, and it looks interesting. But I’m getting sidetracked. I highly recommend checking out It’s a Wonderful Knife. I think it will fill you with some holiday cheer. 


© Copyright 2023 John Shatzer

Friday, December 8, 2023

Christmas Blood (2017)

A killer Santa movie from Norway! I’ve not seen one of those before… I mean I’ve seen one from Finland and another from the Netherlands (okay technically not Santa Claus but close enough!). But I’ve never seen one from Norway. Honestly, I was pretty excited to check it out.

The movie opens with a little girl sneaking downstairs to check out the presents under the tree while her father or maybe stepfather is snoring blissfully away. She tears and rattles things all while we see someone lurking behind her. There is a muffled scream and the father wakes up. Investigating the sound, he finds the girl dead and is quickly dispatched himself by someone dressed as Santa. The police arrive and find them butchered but manage to locate the killer and one of the cops, detective Rasch, puts several rounds into him.

As the credits roll, we see that the killer had been busy for many years racking up a body count well over a hundred. He also kept a naughty list that the police find, but never figure out why they were targeted. Though there is a bit of a throwaway line about them all being in trouble with the law at some point in time. We also find out that the killer Santa survived the shooting and was quietly and secretly locked up. But he has busted out, so it is up to a new detective, Hansen, to find him before too much murder occurs. Spoilers… it gets very bloody before he recruits the now retired and perpetually drunk Rasch to help him.

All while this is happening we meet up with another set of characters. They are all coming to an isolated town far in the north reaches of Norway to visit a friend named Julia. We find out that her mother was on Santa’s list but committed suicide. Though that doesn’t seem to bother the killer as when he arrives he just starts tearing thru Julia and her guests. Eventually the detectives figure out the pattern and arrive in time to save Julia, but her friends are toast. I suppose that is a spoiler but if you have ever watched a movie like this you should readily identify them as fodder for the body count. Things wrap up… well honestly, they don’t which is one of the issues I have with Christmas Blood.

I wanted to like this movie and there are things that I do enjoy, but it also has a couple fatal flaws that drag it down. The story is interesting with the killer having a naughty list that isn’t ever totally explained. I do like some mystery as to motivations when I’m watching what is basically a slasher movie. Sometimes the idea of a random killer targeting for reasons that no one really knows is scary. But then the story just meanders thru the hour and forty four minute runtime tossing characters at us who do nothing to move the plot around.

We see a sequence with Hansen visiting a morgue that allows the filmmakers to show us a very naked woman and a coroner who apparently loves pastries and likes to eat while he works. Admittedly this is amusing in sick way, but after spending time on it the detective declares it has nothing to do with the killer Santa and it is never mentioned again. We also have a random killing of a couple cops that are investigating someone on the list and find a body. They are then killed off themselves. Why bother? I mean we already know that the guy is a brutal killer, which is reinforced later, so what is up with the random characters just introduced to die?

This isn’t the first example of unneeded characters slowing things down. Before the killer arrives at the girls we get a couple of brothers added to the menu of victims who are there solely to die though not before participating in a drawn out “partying” dance montage. One of them does get to assault one of the women before being dispatched so I guess we are supposed to get some satisfaction out of his death. But really did we need a date rape in this flick? It adds nothing to the story other than a bit of nastiness. Hell, the girl doesn’t last more than a minute or two after her rapist and is killed in another way that violates her. Yeah, think The Mutilator. So now I was bored and annoyed which isn’t a good combination.

You'd better watch out... behind you!
I will give the movie credit for some inventive kills and the fact that they are plentiful. We get fifteen kills, with some happening offscreen and others being seen after the fact. There are butchered bodies, some head bashing, more than one decapitation (including the little girl in the beginning), some throat cutting, and lots of guts. Really this killer likes to drive his axe into many a midsection which leads to more than one person rolling around with their own intestines in hand. They must have really dug that effect/appliance because they use it a few times. There is a very Evil Dead fountain of blood as well. But my favorite kill in the movie has to be the guy getting his spine ripped out. Does it make sense? Not at all but I thought it was a fun gag.

I’ll also say that I thought a couple of the jump scares worked well. But in the end this movie is saddled with far too many characters and subplots to ever create any momentum. So, while the gore is an excellent payoff the scenes leading up to it failed to keep my interest. Overall it makes for a boring watch, and I can’t recommend Christmas Blood. There are much better Killer Santa movies out there to watch this most festive time of the year.

 

© Copyright 2023 John Shatzer

Wednesday, November 22, 2023

Dr. Black, Mr. Hyde (1976)

Blaxploitation movies dipped a lot into the horror genre putting their own unique takes on them. This is the first one that I’ve covered for the site, but it won’t be the last. Here we have a doctor named Henry Pryde. He is a successful doctor and researcher who still takes time to volunteer at a free clinic. Though one of his regular patients, Linda, accuses him of just feeling guilty about being so rich. We also see that Pryde is working on a formula to regenerate liver tissue. His mother drank herself to death and he hasn’t gotten over that. 

You can probably guess what happens next. Pryde’s formula has side effects. The worst one is that it turns you white and homicidal! As the story plays out we are told that Pryde’s mother was a cleaning lady at a brothel and when she collapsed he went looking for help but none of the ladies would open their door to him. So, when he gets all crazed killer, he targets working girls and their pimps for his wrath. Did I mention that Linda is a working girl? She ends up on his list but the cops show up in the nick of time to save the day. 

This movie has an interesting take on the story that I rather liked. The motivation for Pryde going after prostitutes didn’t make much sense as he went from wanting to experiment with is drug to lets just kill people. But then the movie, in an excellent bit of writing, lets you in on why when he loses control, he targets them. Unfortunately, the writing also is very flawed. First up there isn’t a whole lot of story to fill up the runtime. So, there is a lot of talky bits as Pryde does science stuff with his assistant. There is also a lot of Linda and her friend’s kids that doesn’t do anything to serve the actual plot. 

It also bugged me that they do their best to setup Pryde as a smart guy. But then after seeing the serum turn a rat into a killer that wipes out everything in its cage as well as turning a very sick woman nuts and having her attack a nurse, he still injects himself. I’m pretty sure that he would have realized there were issues. Toss in the fact that at sometimes he is bulletproof and other times when it serves the plot he suddenly isn’t! They had the makings of a cool movie here but just failed to deliver on it. 

Bernie Casey seems like a good choice to cast as the lead. He normally is good in whatever role he was cast in. I’m not sure if it was just a poor choice on how to portray the character or if he was just phoning it in but he isn’t very good. There isn’t much effort put into bringing Pryde to the screen and the performance feels flat. The one exception to this is when he is relating to Linda what happened to his mother. He nails that scene which makes the rest of his performance rather disappointing. The rest of the cast is decent, but nothing terribly memorable. 

The makeup on Casey when he turns into Hyde is simple but very effective. We get some pale skin, contacts to make the eyes weird looking, and a dusting of white in his hair. Again, it is very simple, but also creepy. He is also a large man so when he is all “monstered” out it is intimidating and effective. It wasn’t until I was watching the credits that I realized this makeup was the handywork of the late great Stan Winston! 

Dr. Black Mr. Hyde isn’t a terrible movie, but it is disappointing. There was potential here but they somehow missed the boat. Still if you are a fan of Blaxploitation movies, especially horror ones, this is probably worth a watch. Though unlike Blacula or Abby, I can’t see myself in a hurry to watch it again. With that lukewarm recommendation I’m out. 


© Copyright 2023 John Shatzer

Tuesday, October 31, 2023

Mammoth (2006)

I thought that I’d end my October 2023 movie review marathon with my all time favorite Sci-Fi Channel original. I watch this one every year but somehow had never covered it for the site. I’m guess I kept thinking I had already covered Mammoth, but I hadn’t. I also suppose it was a spoiler telling you that it is my all-time favorite from the Sci-Fi channel. Oh well, onto the review.

There is a frozen mammoth carcass being studied by a scientist named Frank. He leaves work late to take his daughter, Jack, for her driving test. We see that he is late when she is watching old movies with her grandpa and Frank’s Dad Simon. This is our primary family unit and main characters along with a man in black type who happens to be a lady named Agent Powers as well as Jack’s boyfriend Squirrelly.

Okay now back to the story. While poking around the frozen mammoth Frank accidentally activates a doohickey that calls to space. We see a spaceship shoot something to Earth in response. It crashes into the museum and turns into some living liquid that then animates the mammoth’s corpse. It goes on a rampage killing folks and doing alien invader type stuff. This includes crashing a high school party filled with thirty year olds. Eventually our heroes figure out that while they can’t destroy it they can refreeze it which leads to an exciting showdown at a factory where they do just that.

This is a simple movie that takes the standard low budget formula that was used not only in these made for television Sci-Fi channel originals but also for the cheapie fifties flicks that I love as well and has some fun with it. Fun is the operative word here as this isn’t the sort of movie that should be taken seriously. The story is filled with all the tropes you would expect including a monster stomping around unnoticed by anyone not top billed, government agents who show up with all sorts of mysterious technology, and some bumbling slapstick from characters who only seem to exist to be incompetent. That last bit is what makes Mammoth such a good time as instead of trying to be serious it leans into the jokes and laughs. Let me give you some examples.

We have the boyfriend, Squirrelly, who stumbles around putting himself in danger along with a couple of sheriff deputies that lean more into silly dialogue that shows them to be less than intelligent. There are also some goofy bits with a one handed medical examiner who along with the sheriff have a huge secret that is only revealed when needed to crack some wise. There is even a funny throwaway gag with what I’d like to call Jurassic dentures. Trust me if you watch Mammoth you will know exactly the scene I’m talking about. I’m thinking that either this was added back in after it was broadcast or if it did air on cable the censors missed what was implied.

Even the actors playing straight man, or I suppose men get to have some fun with goofy dialogue. Vincent Ventresca, who plays Frank, gets to have fun with dialogue talking about having a daughter and worrying about all the wieners as well as the classic “Did you give her the WEED?”. But the one who is clearly having the most fun is Tom Skerritt playing Grandpa Simon. He is the true believer of the family and has all sorts of fun with is conspiracy theories as well as thinking the gorilla suit wearing singing telegram is the lead creature of an invasion of space monkeys!

The special effects aren’t great. As is the case with most Sci-Fi channel originals this is all CGI and hasn’t held up well. Though it probably wasn’t great to begin with. The mammoth stomps around but does very little interaction with the actors. Most of the kills are hidden either behind the mammoth or some other object like a car or building. The best gag in the movie is probably the hand in the morgue. Even that is played for laughs as we see it scurrying around in the background. Truthfully, I appreciated that they knew the limits on what they could do and had fun with it. If they tried to be serious then the bad CGI would have likely been a dealbreaker for me.

I’m telling you guys this is a silly flick and a lot of fun. You just need to turn off your brain and have a good time. If you want a serious or scary creature feature then Mammoth isn’t the movie for you. It is one of those perfect excuses to invite some friends over, crack open a beer, and laugh your ass off.  I highly recommend it.

 

© Copyright 2023 John Shatzer

Monday, October 30, 2023

Zombie Town (2023)

I’m a bit older than many of you who frequent the site, so I was never a “Goosebumps kid”. Though I totally understand the sense of nostalgia that many of you have for the book series and the Saturday morning show. Anything that introduces the next generation to the spooky stuff gets a big thumbs up from me. That said I actually really dug the first Goosebumps movie with Jack Black and those Fear Street flicks that Netflix did from another R.L. Stine property were pretty good as well. I had hope we were going to have some more fun when I saw this movie based on one of his books show up to stream on Hulu.

Mike hates horror movies and can’t wait to “escape” from his small town life. His friend Amy and most of the folks who live in the small town are huge horror fans. That is mostly because a famous director of zombie flicks, Len Carver, is from there. Since he is the most famous resident folks are all about his movies. Though he is a bit of a recluse and hasn’t made any new movies in many years. That is until he decides to premier a new flick, Zombie Town, at the local theater. Mike works there and decides to show Amy the movie early. When the do though something happens and most of the townsfolk turn into zombies.

Why not Amy and Mike? There is something about an ancient curse and the symbols on the film cans they were inexplicably using as trays for their popcorn and soda. The rest of the story has them running around town trying not to get turned into zombies while at the same time sorting out how to save their friends and families. Along the way we learn the big secret of director Carver and why he has been a recluse for so many years. Not to worry though when we get to the end credits it all works out.

Honestly, I was disappointed. The story is very slow with little happening and what we do see has been done much better elsewhere. That surprised me. Now I’ve never read the book but what few things I’ve read from Stine always struck me as at least entertaining. Sure it might be watered down and tamed for a young audience, but it still had some meat on the bone. Most of what happens here are the main characters running from location to location stopping long enough for a zombie to show up and do something before they flee again. There isn’t a single memorable sequence or scene. This is further complicated by what I have to say is a terrible cast who bring nothing to the screen. This includes Dan Akroyd who seems to be sleepwalking thru his scenes for a paycheck as well as Chevy Chase who is barely in the movie.

While I wasn’t expecting anything too disturbing or horrific being a PG-13 movie based off of a tween book I had hoped for more than I got here. The zombies are all rather tame and don’t bite or even menace folks too much. In fact, some of them, like zombie Landro, are played for laughs. We see zombies doing pratfalls and one acting as a chauffeur. But even some of the Saturday morning shows had a bit of a creepy edge to them and at least one scare. We get none of that here not even a cheap jump scare. The creature design is okay and if there were any real attempts to make them creepy or threating it might have worked. Sadly we got neither so the creature part of Zombie Town falls flat for me as well.

Bad story, bad acting, bad creatures, bad movie. I’m not sure much else needs to be said here. If you are wanting to check out something much better Hulu also released a Goosebumps limited series with Justin Long. I’m a couple of episodes in so far and it is way creepier with a better cast. It makes me feel like the filmmakers here didn’t do justice to the original material. When done right Stine’s work translates well to the screen. Check out the show and skip this movie.

 

© Copyright 2023 John Shatzer

Sunday, October 29, 2023

Dead Meat (2004)

This isn’t my first time watching this movie as I think I checked it out fourteen or fifteen years ago for my old website. I don’t remember anything about it so that is probably a bad sign. And this is another low budget zombie flick, which of course I said I wasn’t going to do again. But I think we all knew I wasn’t going to stop. What did draw me back to this one is the director, Conor McMahon. This was I think his first feature film and later did some movies that I really dig. Check out Stitches (a clown back from the dead for some murders!) and Let the Wrong One In (silly vampire comedy) if you get the chance. Also, this isn’t just a indie low budget zombie flick but it is an Irish indie low budget zombie flick. Don’t see many of those. Now onto the review. 

The movie opens with a farmer hearing some strange noises outside and going out to check on them. He gets attacked by a zombie cow. Let that process for a second. Movie you have my attention. Then the action moves to a couple driving along while an announcer on the radio talks about a farmer who was illegally feeding dead animals to his herd. They are distracted and hit a man in the road killing him. Or did they? I mean he was already dead and proceeds to tear the man’s, Martin, throat out. This leads to his lady friend, Helena, to head off to the creepy farm nearby for help. After poking around a bit zombie Martin shows up and she has to dispatch him and then flee when more zombies show up. 

Later she runs into local gravedigger and all around good guy Desmond. The pair of them head off to his house but keep getting waylaid by more zombies. Eventually they meet up with a little girl, never ever trust kids in zombie movies, and another couple Cathal and Francie. This group decides to head to a rescue station but again keep running into zombie problems. This includes the return of the zombie cow from earlier! The survivors are eventually cornered in a castle and have to do battle with the horde of undead that surround them. 

Finally it happened I found a filmmaker that is able to make a movie that doesn’t try to exceed the resources available at hand. This movie, both directed and written by McMahon, has a small cast and simple story. Get from point A to point B. Along the way we get a few set pieces with some local undead attacking them. The locations are simple and were what was available to them. They don’t use some terrible CGI to make giant hordes or try and shoot scenes on busy city streets while onlookers watch. The characters crack a few jokes, deliver their lines well, and do a fine job in the action sequences. The story moves along at a brisk pace never slowing down from the opening scene to the final scene. There is always something happening during the entire hour and twenty minute running time. Now what that hard to do? Apparently so since most of the folks in the almost twenty years since this was made have failed to achieve it. 

Being a zombie movie, we should talk about the special effects work. I don’t think that there are any “featured” lead undead that will stand out. But overall the makeup is good enough. I mean these are all supposed to be pretty fresh, so it works. Most of the kills are actually inflicted on the dead folks. We get a smashed head, another is run thru, there is a stick to the eyeball, a jaw is knocked off a face, and we get a zombie head lopped off with a shovel complete with some brains spilling out. Though my favorite is a kill that I’ve never seen before. A zombie is dispatched with a vacuum sucking out an eyeball! I’ve watched a lot of flicks in this shuffling subgenre and I can honestly say I’ve not seen that before. All of the work is practical and occasionally shows the low budget but that is part of the charm here. 

As an added bit of extra fun keep an eye out, pun not intended, for the road zombie that chomps on Martin. He is played by Ned Dennehy who would later go on to appear in much larger roles in flicks like Guns Akimbo and Mandy. He has also appeared in shows like Outlander (a favorite of my lovely wife) as well as The Walking Dead franchise. Just cool to see someone near the beginning of their career or at least notoriety in the genre. 

Dead Meat isn’t perfect, but I had fun with it. This is the sort of good time on a budget that I’m always hoping to get when I dive into the shallow end of low budget zombie flicks. It worked out for me… this time. You can find this one on YouTube as well as a few other spots on the internet. Give it a shot. 


© Copyright 2023 JohnShatzer

Friday, October 27, 2023

Night of the Hunted (2023)

I’m always on the lookout for the next creepy horror flick to get under my skin. When this popped up on Shudder and I saw that it was about a random sniper killing folks while taunting a woman I thought it sounded interested. I always cringe when someone says they are going to “update” an old trope, but this sounded like a creative take on it. So, I fired up my Shudder app and plopped myself down for a watch.

Alice is woken up in her hotel room by her phone going off. She has been at a convention with her work colleague John and is now headed back home. There is also talk from a friend on the phone about her seeing a fertility doctor as she and her husband are trying for a baby. As she and John are driving out of the Hotel parking lot we see that someone has poked a hole in the gas tank. This leads to them stopping at an isolated station in the early hours of the morning. Here is where things really get rolling.

Alice goes in for a cup of coffee while John fills the tank. She can’t find the clerk but does eventually notice a blood spray on the wall. This freaks her out and when she goes to leave takes a bullet to the arm. Freaked out she crawls back into the store. She hears someone on a walkie talkie and picks it up asking for help. After John comes in and is gunned down we find out that the guy on the other end is the sniper. Not only that he knows a lot about Alice, so you get the idea that this was all a setup. I mean someone punctured their gas tank and knew her secrets so… yeah there must be something else to this. The rest of the movie is him taunting her, shooting anyone else who stops by, and basically torturing her. Why? Is this a random wacko? Is someone targeting her? Is it because she was having an affair with John? I’m not asking these questions the sniper is as he taunts her.

Some slight spoilers are in the review so if you don’t like that sort of thing head to the last paragraph for my final thoughts on Night of the Hunted as well to see if I recommend it or not. Now onto the review. This is an interesting movie. First of all, I can assure you that we never really get the answers to the questions posed above which I’m okay with. I like the idea of a killer without identity and motivation. Sadly the movie sort of spoils that itself.

The first forty minutes are brutal and terrifying. The killer speaks only enough to get under Alice’s skin and make her terrified. The unexpected and undeserved violence is what drives the fear which the first half of the story uses to get and hold the audience’s attention. The setting of the isolated gas station by the highway in the middle of the night is one that I think we can all relate to which makes the story even scarier. When a horror flick puts the audience into a situation where they could legitimately find themselves it already has a leg up and the filmmakers us that brilliantly here.

Here is where the movie goes off the rails and sort of spoils things for me. The sniper keeps talking to her and eventually goes on an extended political rant about mandatory vaccinations, microchips, cancel culture and wokeness. It gets way too political as we go from scary horror movie to the filmmaker’s going on some personal rant. It really isn’t so much what his politics are but the fact that somehow the script is trying to explain to the audience his motivation for the killings. Sure, there seems to be something more to it and is sure as hell seems Alice is being targeted but we don’t need to know for sure. Think John Carpenter’s Halloween. The shape killed without motivation and was basically just evil walking the earth. That is way scarier. The more they tried to explain him the worse the sequels got. Same thing here.

I also felt that the killer talking about actual mass shootings was in poor taste. Using real world tragedies in dialogue or as fodder for your story makes me very uncomfortable and one should tread carefully when doing so. They weren’t disrespectful or anything like that but for what is effectively just a low budget horror movie it felt inappropriate. If you wanted to invoke that shared fear of mass shootings coming from someone you didn’t know then stick to what sniper saying just enough to taunt Alice and stop trying to explain things.

Alice really is having a rough night
The kills are long distance and lean more into us knowing what is coming before it actually happens rather than being overly gory. There is a gnarly bullet wound on Alice’s arm that she has to dump hand sanitizer on and then glue shut. That is right in your face and well done. Near the end of the movie, we also get a head squished which is again right in your face as the camera doesn’t pull away. Other than that, we see bullet hits and an occasional after the fact gnarly head wound. This isn’t the sort of movie that I would anticipate elaborate kills or gore so I was happy with what I got onscreen. It is just enough to add to the tension and overall horror of Alice and her situation. It works perfectly with the story.

The director of Night of the Hunted, Franck Khalfoun, has done some other movies that I personally think are way better than this one. P2, the Maniac remake, and even Amityville: The Awakening are all solid efforts. Here the script lets him down with the uneven pacing which occurs when it starts to focus on the killer talking. But I can’t let him off the hook since he cowrote the script.

In the end there are a lot to like here. My only issues are the pacing and oversharing by the killer that causes them. I can’t wholeheartedly recommend Night of the Hunted but think it is probably still worth a watch.

 

© Copyright 2023 John Shatzer