You know I’ve seen enough horror movies to know that this sort of thing never goes well. Sure enough the medium gets possessed and violence ensues. One by one the characters are killed until the last couple decide to go into the basement and close the door to hell that they opened. Or rather Ichabod, the ghost they conjured, has opened. Seemed he was evil and had some unfinished business about summoning demons to destroy the world. Again, booze and a séance don’t mix.
This isn’t a perfect movie and won’t appeal to everyone, but I loved it. The movie is shot as if it is from the thirties or forties complete with costumes, train travel, and an antique car. To further this the movie is in black and white as well as a 4:3 ratio. Not only that but they take the time to use matte shots and several other tricks from the early days of movie making. Heck there is even a sequence of character driving in a car that is obviously fake, but they go out of their way to make it look “old school” fake, if that makes any sense. This stuff is subtle, but it really does make Here Comes Hell feel like a seventy-year-old flick in all the best ways. The dialogue and performances also support this. There is a certain cadence to the dialogue and style to the acting from older movies that always seems to be missing when someone attempts a project like this. Here it is spot on and I took notice of that. Again in all the best ways this feels right.
I liked the movie and what the filmmakers were trying to accomplish. Independent low budget movies are where most of the creativity in the horror genre is coming from and honestly always has. Here Comes Hell is the sort of movie that we as fans should be supporting. I can’t wait to see what those involved do next. I highly recommend checking it out. As of the writing of this review the movie is streaming on Shudder.
© Copyright 2021 John Shatzer